Beginning of the photographic exhibition “Bangladesh 1971: Mourning and morning”

Photographs of the exhibition. Photos: Courtesy of the Alliance Française de Dhaka.

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Photographs of the exhibition. Photos: Courtesy of the Alliance Française de Dhaka.

The Liberation War Museum and the Alliance Française de Dhaka jointly organized the personal exhibition of photographs “Bangladesh 1971: Mourning and Morning” by Marc Riboud. The opening ceremony for the exhibition took place at the Liberation War Museum on October 16.

Dr AK Abdul Momen MP, Minister of Foreign Affairs of Bangladesh, honored the occasion as guest of honor. HE Jean-Marin Schuh, Ambassador of France to Bangladesh, attended the event as guest of honor.

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Special guests at the opening ceremony.

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Special guests at the opening ceremony.

Supported by the association Les Amis de Marc Riboud and the Guimet Museum, this is a unique exhibition of unpublished photographs taken during the Liberation War in Bangladesh. About fifty photographs are presented for the exhibition.

Special guests at the opening ceremony.

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Special guests at the opening ceremony.

One of Magnum’s first generation photographers, veteran French photographer Marc Riboud was born in Saint-Genis-Laval, near Lyon, in 1923. He took his first photographs at the Paris Universal Exhibition in 1937, using a tiny Vest Pocket Kodak given to him by his father for his 14th birthday. In 1944, he joined the resistance of Vercors. From 1945 to 1948, he studied engineering at the Ecole Centrale de Lyon and began to work. Three years later, he chose to pursue a career as a photographer.

His photo of a painter atop the Eiffel Tower was published in “Life” magazine in 1953. It was his first published work. Subsequently, he joined the Magnum Photos agency after being invited by Henri Cartier-Bresson and Robert Capa.

He traveled by road from the Middle East and Afghanistan to India in 1955, where he stayed for a year. In 1957 he traveled from Kolkata to Beijing for the first of many extended stays. In Japan, he discovered the inspiration for what would become his first book, “Women of Japan”, after a long journey through the Far East and the Middle East.

After a three-month stay in the Soviet Union, he returned to cover the independence movements in Algeria and sub-Saharan Africa in 1960. Between 1968 and 1976, he was one of the few photographers authorized to photograph both in South and North Vietnam. . Her photo of a young woman holding a flower, taken in front of the Pentagon during a demonstration against the Vietnam War, has become an international symbol of peace.

The struggle for Bangladesh’s independence grabbed his attention and he arrived in Calcutta at the end of November 1971. He traveled inside refugee camps and liberated areas. His expedition began at Sherpur, and after crossing the mighty Brahmaputra River, he witnessed the decisive battle of Jamalpur, which he documented extensively.

Most of them are still unpublished to this day. When the Indo-Pakistani War erupted on December 3, he entered Bangladesh with an advancing Indian army supported by Bangladeshi freedom fighters. He was one of the first photographers to enter Dhaka and capture the liberation of the city with his camera.

In the 1980s and 1990s, he returned frequently to the East and the Far East, notably Angkor and Huang Shan, but he also saw the rapid and significant transformation of China, a nation he had watched for over thirty years.

Marc Riboud donated 192 original prints made between 1953 and 1977 to the National Museum of Modern Art (Center Georges Pompidou) in Paris in 2011. His art has received numerous prestigious distinctions and has been exhibited in museums and galleries in Paris. , New York, Shanghai, and Tokyo, among others.

Marc Riboud died in Paris in 2016 at the age of 93. The majority of its archives have been entrusted to the National Museum of Asian Arts – Guimet in Paris.

After the opening ceremony, the exhibition will be open to everyone until November 16. Visiting hours are Monday to Thursday 10 a.m. to 5 p.m. (closed Sunday).

“Bangladesh 1971: Mourning and Morning” is jointly organized by Lorène Durret and Mofidul Hoque. The second phase of the exhibition will take place at the Alliance Française de Dhaka in January 2022.


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